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  • Keith McMillen K-Mix Audio Interface & MIDI Control Surface

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Keith McMillen K-Mix Audio Interface & MIDI Control Surface

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Availability: Usually ships within 2-7 days.

$579.00
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Quick Overview

Audio Interface & MIDI Control Surface

Audio Interface

K-Mix is a pro-quality USB audio interface with transparent µPre preamps for quality recording in the studio or on the stage.

 

Programmable Mixer

K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer.

 

Control Surface

K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

 

K-Mix Specification

Audio 

Input Channels

• 8 Balanced Inputs
• Signals up to +28dBu

Output Channels 

•10Outputs(8balanced)

Bit depth 

•24-bitAKMConverters

 

Connections   

Analog Inputs 

2 XLR/TRS combo jacks: 

» XLRMic/LineInputs(balanced)

» Hi-ZInst/Line1/4”TRSInputs(balanced) 

6 1/4” TRS Connectors (line level, balanced) 

Analog Outpusts

•81/4”TRSConnectors(balanced)   

Digital

• 1 Micro-USB (Audio I/O, MIDI I/O, Power)

• 1 Mini-USB (MIDI I/O via KMI Expander, Power) 

 

Control   

Faders

• 8 channel faders (75mm)

• 12 LED indicators per channel fader

• 1 master fader with 24 LEDs

• MIDI position CC output on all faders 

Rotaries

• 4 rotary controls (360°)

•16LEDsperrotary

• MIDI position CC output on all rotaries 

Buttons

• 9 Channel Select Buttons

• 4 Bank Select Buttons

• 17 Function Buttons

• MIDI note output on all buttons 

 

MIC preamps    

Number 

• 2 ultra low-noise μPreTM mic pres

Phantom Power

• +48V phantom power

Gain

•+60dbadditionalgain

THD + Noise

  • -107.6 dBu @ 0dB gain, 20Hz–20kHz (unweighted)

  • -120.5 dBu @ 0dB gain, 20Hz–20kHz (A weighted)

EIN

  • -121.5 dBu, 150ohms @ 20Hz–20kHz, max gain (unweighted)

Frequency Response 

  • ± 0.13dB @ 20Hz–20kHz (44.1kHz)

  • ± 0.56dB @ 20Hz–40kHz (96kHz)

 

Processing

Equalization

• 3-band semi-parametric EQ

• ±18dB cut/boost 

Compressor 

• Compressor/Limiter on each channel    

•Adjustable threshold, attack, release, and makeup gain 

Gate

• Noise gate on each channel

•Adjustable threshold, attack, release, and gain reduction 

Reverb

• Master reverb with individual sends per channel 

Surround

• Quadraphonic, 5.1, 7.1, and Octophonic surround output

• Each channel assignable to one of four surround panners

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