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Lynx Aurora(n) 16 DNT Converter Interface

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$4,539.00
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Quick Overview

Aurora(n) 16 DNT Converter Interface

 

Key features

8, 16, 24, and 32 channel versions - each in a 1U format.

Onboard 32-channel microSD recorder for direct recording and playback.

Upgradable modules available now include a mic pre-amp module a digital connectivity module with optional ADAT IO and an 8 channel A/D & D/A module with more to come.

Two audiophile-grade headphone outs with independent volume controls.

1-in 3-out word clock with Lynx’s second generation SynchroLock 2™ technology.

Future-proof LSlot design with swappable USB, Thunderbolt, ProTools®|HD and DANTE cards.

Full Windows and OSX compatibility

Road-ready rack-mount reinforced chassis

24 Bit - 192 kHz mastering grade A/D and D/A conversion

Designed and built in Southern California, USA

 

Lynx Announces Dolby Atmos Compatibility

Lynx Studio Technology has announced compatibility between their acclaimed Aurora(n) audio interface/converter and Dolby Atmos, a revolutionary spatial audio technology for the most immersive sound experience. Atmos expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects with neither horizontal nor vertical limitation.

Lynx co-owner and Chief Hardware Engineer Bob Bauman states, “We’ve had many requests from audio engineers who want to combine the sonic transparency of the Aurora(n) with the tremendous creative power offered by the Atmos mixing environment. Now they can.”

Co-owner and Chief Software Engineer David Hoatson adds, “From the start, we designed Aurora(n) with the flexibility to offer an extraordinary path for future upgrades. Lynx customers who have loyally supported the Aurora(n) platform now get rewarded with the ability to work within the exciting new realm of immersive audio.”

The new Dolby Atmos compatibility for the Lynx Aurora(n) will be made available via a free firmware update that will be found on the Lynx web site for all registered Aurora(n) users. The update includes a slew of new features including support for speaker configurations up to 9.1.6, 530 total room correction filters, up to 16 filters per channel (including parametric, low-pass, high-pass, and shelving), channel level and delay compensation, and comprehensive bass management with LFE channel, all of which is implemented in hardware with 64-bit floating-point accuracy. The update will also allow for perfect integration between Aurora(n) and Sonarworks sound calibration software as well as Room EQ Wizard (REW) for room acoustic measurement, loudspeaker measurement and audio device measurement. This compatibility will allow for direct import of speaker calibration parameters into Aurora(n) with no manual entry required. Dolby Atmos control will also be seamlessly integrated into Lynx’ own NControl software.

 

Transparency Matters

Signal coloration is additive and can kill an otherwise pristine mix. That’s why a colored mix begins to collapse while the transparent mix has space, definition and a level of detail that is simply unattainable with converters that add color and distortion. Lynx’s hallmark sonic transparency is why Lynx converters are being used in the most mission-critical audio applications and in the world’s finest recording facilities. Lynx converters have been specified for their uncanny ability to convert signals without adding any artifacts or color. For audio engineers and producers demanding the most pristine recordings and mixes Lynx is the converter of choice at facilities like Dolby’s new mega complex of audio research, Skywalker Sound, NPR, and the Smithsonian Institute. Lynx converters pass the most stringent tests and shoot outs to become the sought after converters for these discerning professionals. Precision matters more than ever and there is no place for even the slightest coloration or degradation of the signal.

 

Discrete Converter Array

Some manufacturers use multiple converters on a single chip. While that is one way to fit many converter channels in a single rack space while lowering costs, it comes at a steep cost in performance. At Lynx, the analog signal path for each channel has been designed as a self-contained and shielded circuit. Each channel pair has its own dedicated conversion device. This has many sonic advantages by significantly reducing crosstalk and distortion while increasing dynamic range and performance.

 

Hilo Converter Technology (HCT)

Design and technology borrowed from the development of the Hilo is used to significantly improve specifications and transparency over previous models while attaining stunning Hilo-like performance.

 

Future-Proof Design:

Configurable I/O

  • Add Channels – Start with eight, sixteen or twenty four channels and later add additional groups of eight channels for up to thirty two total.
  • Add Modules – Digital I/O, Mic Pre Amp; More are being designed now for future release.
  • Add Connection Method – Thunderbolt, DANTE, ProTools|HD or USB via LSlot Cards
  • Add Functionality – Via firmware updates. Just as we have for Hilo and Aurora we will continue to improve the Aurora(n)’s functionality and build in new feature sets.

 

SynchroLock 2™

All new SynchroLock 2™ high-performance sample clock technology provides a whopping 300,000:1 reduction in jitter, 5 second lock time and absolute accuracy. Word clock I/O provides one input and three outputs on BNC connectors.

 

Technical specifications

 

Analog Specs

Line In (includes A/D Conversion)

  • THD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim

  • Dynamic range: 119dB, A‐weighted, ‐60dBFS signal method

  • Frequency response: ±0.010dB, 20–20kHz

  • Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal

  • Common mode rejection: greater than 80dB

  • Full‐scale trim settings: +6dBV, 20dBu

Line Out (includes D/A Conversion)

  • THD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim

  • Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method

  • Frequency response: ±0.025dB, 20–20kHz

  • Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal

  • Full‐scale trim settings: +6dBV, 20dBu

Headphone Out (includes D/A Conversion)

  • THD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max

  • Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method

  • Frequency response: ±0.025dB, 20–20kHz

  • Crosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal

  • Output level: 18.4dBu maximum

  • Output power: 68mW @ 600Ω, 135mW @ 300Ω, 383mW @ 60Ω, 212mW @ 32Ω, 100mW @ 16Ω

 

LM-PRE4 Preamp Module

Microphone Input (includes A/D conversion)

  • THD+N: -111dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain

  • EIN: -129dBu A-weighted, -60dBFS method

  • Dynamic Range: 116dB A‐weighted, ‐60dBFS signal method @ 21.68dB gain

  • Frequency Response: +0.01 / -0.08dB max. Deviation over 20-20kHz band, -1dBFS @ all gain settings

  • Crosstalk: -127dB max. Adjacent channel, -1dBFS, 1kHz @ 21.6dB gain

  • Common Mode Rejection: 75dB min. -1dBFS, 60Hz and 1kHz @61.6dB gain

  • Full-scale Input Level for A/D: 28.7dBu

  • Input impedance: 2.1k Ohm

  • Gain Settings: 5.6dB/13.6dB to 68.6dB in 1dB steps

  • Pad attenuation: 13.6dB

  • High-pass Filter: 80Hz, 12 dB / octave

  • Connector: Female XLR on Neutrik jack

Line Input (includes A/D conversion)

  • THD+N: -113dB (0.00028%) @1kHz, ‐1dBFS, 20kHz filter @ 21.6dB gain

  • Dynamic Range: 119dB A‐weighted, ‐60dBFS signal method

  • Frequency response: ±0.010 dB max deviation over 20–20kHz

  • Crosstalk: -138dB max. adjacent channel, -1dBFS 1kHz @ 41.6dB gain

  • Common Mode Rejection: 75dB min, -1dBFS, 60Hz and 1 kHz @ 61.6dB gain

  • Full-scale Input Level for A/D: 20dBu

  • Gain settings: Fixed

  • Connector: Female XLR on Neutrik jack

 

LM-DIG Digital I/O Module

Optional LM-DIG digital I/O module

  • 16 input and 16 output channels of 24-bit AES/EBU

  • 44.1 kHz to 192 kHz sample rate support

  • Two 25-pin female D-subs, Yamaha digital I/O pinout

 

Software

Lynx NControl for Aurora(n) USB, Thunderbolt & Dante models

  • For total control of all functions and routing from your computer

  • Now includes Mic Pre and micro SD record and playback control

 

Other

Additional modules

  • Digital I/O

  • Microphone preamp

  • More in development

Analog Input Connections

  • Aurora(n) 8 - 1 x DB25

  • Aurora(n) 16 - 2 x DB25

  • Aurora(n) 24 - 3 x DB25

  • Aurora(n) 32 - 4 x DB25

Analog Output Connectors

  • Aurora(n) 8 - 1 x DB25

  • Aurora(n) 16 - 2 x DB25

  • Aurora(n) 24 - 3 x DB25

  • Aurora(n) 32 - 4 x DB25

Dimensions

  • Depth - 10 inches

  • Width - 19 inches

  • Height - 1.7 inches

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