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Novation Summit

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Availability: Pre-order.

$1,999.99
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Quick Overview

Built on the innovative foundations of the critically acclaimed Peak, Summit is a two-part, three-oscillator-per-voice, 16-voice keyboard synth aimed at professional and semi-professional producers and musicians, for use both live and in the studio.

 

Novation Summit

Built on the innovative foundations of the critically acclaimed Peak, Summit is a two-part, three-oscillator-per-voice, 16-voice keyboard synth aimed at professional and semi-professional producers and musicians, for use both live and in the studio.

 

Two-part multitimbral 16-voice polyphonic synthesizer

Three NCO New Oxford Oscillators per voice, enabling subtractive, wavetable or FM synthesis

Analogue multimode 12/24dB filter per voice with Dual mode

Five-octave semi-weighted, premium keybed with velocity sensitivity and aftertouch

Per-part effects: distortion, chorus, delay and reverb

Stereo audio-in routable to onboard effects and aux outputs

 

Peak powered up

The acclaimed Peak architecture taken to the next level, with 16 voices, expanded front panel controls, new filter options, a five-octave keyboard and more

 

Two sounds at once

Multitimbral engine for splitting, stacking and switching between two simultaneous patches

 

Digital where it counts

Digital FPGA-generated New Oxford Oscillators for analogue-style, wavetable and FM synthesis

 

Analogue where it matters

Dual analogue filters, analogue VCAs and three stags of analogue distortion per voice

 

Per-part effects and arpeggiation

Process eachb part or an external audio signal with reverb, chorus and delay effects, and create riffs and melodic lines with a variety of arp modes, adjustable gate time and preset patterns.

 

Included Software

Ableton Live Lite music making software

Access to the Novation Sound Collective

 

What's In The Box

Novation Summit Synthesizer

USB Cable

Printed Getting Started Guide

Power Lead

 

Specifications

Synth Engine

16 note polyphony (dependent on voices used per note)

2-part-timbral

Layered, Split, Dual Bi-Timbral Modes

5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2

 

Per Voice

3 oscillators

1 noise generator wiht HP filter control

1 ring modulator

2 LFOs

1 amp envelope and 2 mod envelopes (ADHSR + looping)

1 filter

 

Waveforms Include

Sine, tri, sawtooth, square/pulse, plus 43 wavetables of 5 waveforms per row

 

Filter

1 state variable OTA filter per voice

12/24dB slope

Low-pass/band-pass/high-pass/dual filter (separation of each 12dB filters)

dual filter: LP > HP, LP >BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP + HP

Pre-filter overdrive

Post-filter distortion

 

Modulation

16 modulation slots per patch

2 sources per destination per slot

 

Mod Sources

Direct (depth)

Modulation wheel

Aftertouch (polyphonic and channel AT)

Expression pedal 1

Expression pedal 2

Keyboard velocity

LFO1 positive

LFO1 bi-polar

LFO2 positive

LFO2 bi-polar

Amp envelope

Mod envelope 1

Mod envelope 2

Animate 1

Animate 2

CV mod input bi-polar

Bend Up

Bend Down

 

Mod Destinations

Oscillator 1-3 frequency, v-sync, shape amount and level

Noise source level

Ring modulator output level

Overall synth output level

Filter drive, distortion, cut-off frequency and resonance

LFO 1 and 2 frequency

Amp env/modenv/mod env 2 attack, decay and release

FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1 

Osc 3 -> filter cutoff frequency

Noise -> filter cutoff frequency

 

Effects

FX are per part

Analogue distortion

3 chorus types

Delay with 16 types of delay sync, LP and HP damping, slew and stereo

 

FX Mod Matrix Source

Direct (depth)

Mod wheel

Aftertouch

Expression pedal 1

Expression/breath pedal 2

Velocity

Keyboard

LFO 1 +/-

LFO 2 +/-

LFO 3 +/-

LFO 4 +/-

Amp envelope

Mod envelope 1 & 2

Animate 1 & @

CV +/-

Bendwheel +/-

Bend up

Bend down

 

FX Mod Matrix Destinations

Distortion level

Chorus level

Chorus rate

Chorus depth

Chorus feedback

Delay level

Delay time

Delay feedback

Reverb level

Reverb time

Reverb low pass

Reverb high pass

 

Misc.

FM controls on front panel

GLobal LFO 3 & 4

Arpeggiator with key latch - 33 patterns

Patch storage - up to 512 on hardware (ships with 256 factory patches)

All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping

Microtuning with Scala table import and table tuning creation

Manual mode

Multi pot mode: Relative, Pot pick-up, Snap

 

Product Hardware Specifications

50 control knobs

8 45mm sliders

1 volume knob

1 data encoder knob

Rubberrised knob caps with spun metal discs

55 funstion buttons

2 Animate buttons plus hold button

OLED display

Kensington Lock

Power Switch

IEC power supply connector

USB socket for system (MIDI comms only, no bus power)

MIDI in/out/thru

2 1/4" jack sockets for left and right outputs

1 3.5mm jack socket for DV in

2 1/4" jack sockets for left and right outputs

2 1/4" jack sockets for left and right auxilary outputs

2 1/4" jack sockets for left and right inputs

1/4" jack socket for headphone output

Metal chassis with American walnut wooden end cheeks

Metal magnetic inset and pieces

 

Software Compatibility

Ableton Live Lite is included

Summit is a USB-MIDI class compliant device

 

Power Requirements

Maximum power consumption 1A

 

 

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