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Vienna Symphonic Library MIR 24 + Roompack 2 Bundle

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$565.00
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Quick Overview

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Vienna MIR PRO 24 is a special version of Vienna MIR PRO with a maximum of 24 instruments and ensembles that can be placed on its virtual stages. Apart from this limitation, Vienna MIR PRO 24 includes the full set of features and options of Vienna MIR PRO!

Vienna MIR PRO 24 is a network-capable mixing solution for Mac and PC, based on Multi Impulse Response convolution. Its direct connection with Vienna Ensemble PRO 5 allows for a seamless integration with any audio production environment. Each audio signal can be routed into Vienna MIR PRO 24 and delivered in stereo, or in various surround formats on up to 8 output channels after processing.

Vienna MIR PRO 24 merges all parts of the creative process – composition, orchestration and mixing – into a single intuitive workflow. The software offers a holistic approach to the spatial modeling of virtual orchestras, allowing the user to interact with the players more like a conductor than an engineer. Its innovative multi-parameter Control Icon replaces conventional faders and pan pots and offers concise control for positioning each instrument on the virtual stage, changing its volume and stereo width, and even rotating it within a fluid three-dimensional environment.

Vienna MIR PRO 24 combines specific directional frequency profiles with reflectional information from every instrument, assembling all of the acoustic interactions into an accurate and satisfying recreation of musicians playing their instruments in place and in space. Vienna MIR PRO 24 is much more than just “a multi-sample” of a hall – and this is where it far surpasses any other convolution reverb available on the market. Vienna MIR PRO 24 is multi-source, multi-directional, multi-positional, and multi-format.

Vienna MIR PRO 24 comes with a staggering 11,000 impulse responses from four halls in the famous Vienna Konzerthaus, plus its grand foyer. Further RoomPacks offering recording studios, sound stages (e.g., Teldex Berlin), and churches are available as optional downloads.

Main Features:

  • Direct integration with most modern DAWs as a plug-in (AU, AAX, VST, RTAS) or via Vienna Ensemble PRO 5.
  • LAN capability.
  • Graphical user interface depicting 3D renderings of the selected room (venue maps) with scroll wheel zooming.
  • GUI options such as Instrument Grouping, Hide Icon, Instrument Focus.
  • Intuitive multi-parameter Control Icon for quick interaction with instruments and visual feedback – and direct access to the connected audio source.
  • Microphone Position Offset allowing for movement of virtual microphones in the room.
  • Room EQ and Master EQ.
  • Pre-listening feature before selecting a room.
  • Character Presets (such as ‘Air’, ‘Silk’, ‘Bite’, ‘Distant’, ‘Warm’) for quick timbral changes, available for most Vienna Instruments.
  • Reverb length can be changed individually for each microphone position.
  • MIRacle plug-in – Direct access to a tailor-made algorithmic global reverb for “sweetening”.
  • Adjustable Room Tone (natural noise floor).
  • Automation of user-defined parameters.
  • MIDI remote control of user-defined parameters.
  • 3rd Party VSTi hosting.
  • Audio inputs.
  • Direct and/or stem outputs.
  • AUX sends for individual instruments and input signals.
  • Works with any commonly used sampling frequency, up to 192 kHz.
  • Learn All/Optimize All for Vienna Instruments.
  • Master Tune for Vienna Instruments.
  • Full latency compensation.
  • Windows 7/Mac OS X compatible

Teldex Studio Berlin

Originally built in the 1890s as a ballroom, the famous Recording Hall has been in use for studio purposes since the 1950s. The almost alchemistic mixture of material and surface elements that gave the 4,900 square feet sound stage its unique sonic signature with a remarkable absence of resonances or flutter echoes has been captured by approx. 6,000 impulse responses. Vienna MIR PRO / MIR PRO 24 represent the lavishly sized Teldex Recording Hall in its entirety, from two different angles, providing three typical main microphone positions.

ORF Funkhaus

RoomPack 2 offers three recording studios of the “ORF Funkhaus”, the public radio broadcasting building of the Austrian Broadcasting Corporation (ORF) in Vienna, built in the 1930s according to the plans of legendary architect Clemens Holzmeister. More than 13,000 individual impulse responses were captured using up to four dedicated Ambisonics multichannel microphone arrays. The impulses have been directed from up to 50 positions into the room in perfect steps of 60 degrees, plus to the floor and the ceiling.

“Grosser Sendesaal” (Grand On-Air Studio)

The Grand On-Air Studio is the largest hall at the Austrian Radio Broadcasting Center in Vienna, with a reverb time of 1.5 seconds. Being one of the oldest of its kind still in use, it was planned originally for live broadcasts in the 50s and 60s, where remarkably acoustical ideas such as the utter absence of right angles have been implemented. Despite its size, half of its floor is covered by the stage, providing ample space for a full-size symphony orchestra plus an organ at the back wall. The big fixed leather chairs for 230 people are a part of the original design to avoid any noises from the audience during live shows. Literally thousands of artists, ensembles and orchestras (many world-famous ones among them) have recorded there until today, and public concerts take place several times a week.

Vienna MIR PRO / MIR PRO 24 represent this wonderful, vibrant hall from four different main microphone positions – two of them on the stage, two in the auditory.

“Studio 2”

On the map, Studio 2 and 3 are almost identical concerning size, but they couldn't be more different acoustically. In the 1970s, “Studio 2” was equipped with absorbers (mainly on the ceiling) for the purpose of a multitude of big band recordings at that time, resulting in an unbelievably “dry” soundstage with a reverb time of 0.5 seconds. For a decade it was the recording room of the “ORF Broadcast Big Band” and is still a sought-after recording room when it comes to contemporary music, with a demand on an extremely precise sound localization.

Vienna MIR RoomPack 2 captures the whole room from three different main microphone positions: Two positions regard the studio as a stage, while the third one offers a listening perspective from the affiliated control room, for more depth.

“Studio 3”

This recording room of the same size as the “Studio 2” offers a medium reverb time of approximately 0.8 seconds. It is a versatile recording venue for all kinds of instrumentations and styles of music.

Main Features:

  • Vienna MIR PRO / MIR PRO 24 compatibility.
  • Homogeneous sound for all Main Microphone polarity patterns due to improved Ambisonics processing.
  • Adaptation of relative volume between all Main Microphones in all Venues, making it even more comfortable to switch Venues while working on a MIR Project.
  • More consistency in Dry Signal level scaling.
  • New Starting Point-settings for many Venues.
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