You're currently on:
AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the “crisp” side, offering exceptionally clean and realistic high end detail. The rear lobe is the “smooth” side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA’s LRG(TM) microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies.
The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case.
AEA’s Matt Ashman comments about the R92: “We designed it to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It’s perfect for getting FAT guitar sounds with a present and clean high end.”
Specifications:
- Sensitivity: >-55dBV/Pa
- Frequency Response: 20Hz-18kHz (+/- 3dB)
- Output Impedance: 270 ohms
- SPL Handling: >135dB SPL peak
Features:
- Captive 2 meter cable to A3M connector
- Integral swiveling shockmount for flexible positioning
- Designed for close micing situations
- 2.5" diameter and 7" tall and two pounds
- Polished anodized finish
- Sturdy plastic case
Variant | N/A |