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Waves H-Series Hybrid Plugins Bundle

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Waves’ Hybrid plugins model the original behavior of diverse analog gear and boost it with the precision and limitless creative possibilities of digital control...



Waves’ Hybrid plugins model the original behavior of diverse analog gear and boost it with the precision and limitless creative possibilities of digital control. The H-Series combines all of Waves’ Hybrid plugins in one package:

H-Reverb: Beautiful-sounding FIR reverb with smooth reverb tails; resonant filter sweeps; EQ and dynamics module for compression, ducking and de-essing; ADA analog modeling and drive control; full buildup timing and shaping; pre-delay BPM sync

H-Delay: Versatile delay, from old-school filtering, flanging and phasing to ping-pong delay and tempo-sync with modulation; up to 3500 ms delay time; analog character and LoFi modes; infinite feedback support; LFO-controlled pitch modulation

H-EQ: EQ filters based on the finest US and UK mixing consoles, with seven filter types per band; asymmetrical bell filter; MS matrix mode; real-time frequency spectrum analyzer; keyboard graphic control

H-Comp: Compressor with analog-modeled release behavior; wet/dry mix control for easy parallel compression; transient pass-through punch control; BPM-synced release; analog character modes; output limiter/clipper modes
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All of Waves’ Hybrid plugins in one package
Authentic analog character combined with rich digital possibilities
Supreme sound quality and elegant user interfaces
H-Reverb: Pioneering FIR reverb with rich, natural-sounding tails
H-Delay: Super-versatile delay, from old-school to cutting-edge
H-EQ: Vintage and modern EQs inspired by top mixing consoles
H-Comp: Combines the behavior of analog transformers, tubes and transistors with the precision of a plugin compressor


H-Series (V9) - System Requirements


Intel Core i3 / i5 / i7 / Xeon

4 GB free disk space

Operating System
10.9.5 - 10.11.4
10.8.5 for ProTools 10 only

Screen Resolution
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024
USB displays are not supported as the primary display.



Intel Core i3 / i5 / i7 / Xeon

4 GB free disk space

Operating System
Windows 7 with SP1 64 bit
Windows 8.1 64 bit
Windows 10 64 bit

Screen Resolution
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024


Dave Darlington

Dave Darlington Composer / Recording, Mixing & Mastering Engineer

Avicii, David Guetta, Sting, Oz

“The H plugins are very valuable for anybody in the studio. Two qualities stand out. One is the sound: when you pop any of these plugins into your audio chain, you’re going to notice the quality. The other is the elegance and ease of use: there’s a lot of stuff going on underneath that you can get into and tweak, but on the surface you can just dial it up for a quick workflow. ”


Billy Bush

Billy Bush Producer / Engineer / Mixer

Garbage, The Naked and Famous, Neon Trees, Against Me!

“I’m always searching for sounds I’ve never heard before. H-Reverb allows me to tweak and morph the ‘space’ in a way I could never control before. It can deliver an amazingly detailed and realistic room sound, but it can also create soundscapes limited only by my imagination. And H-Delay is by far my favorite delay these days. I find it really fast to get a great sound, and it sounds really analog, really organic. ”


Drumsound & Bassline Smith

Drumsound & Bassline Smith DJ’s / Producers / Mixers / Re-mixers

Utah Saints, Jeff Wayne, DJ Fresh

“H-EQ and H-Comp are absolute essentials in our productions. H-Comp is a beast of a compressor. The BPM-linked release times, the Punch transient control and limiter, the option for parallel compression, all make it perfect for every occasion. And H-EQ’s keyboard is the perfect tool to help sculpt unruly frequencies with precision. When our snare was clashing with one particular sub bass note, we used the keyboard to attenuate the frequency range of the exact note and get extra clarity in our final mix.”


Christopher DeStefano

Christopher DeStefano Producer / Engineer / Songwriter

Kelly Clarkson, Big Time Rush, Carrie Underwood

“I consistently go to H-Comp and H-EQ when I want modern control with a classic, vintage/analog tone. They’re my two go-to’s for huge vibe, color and tone.”


Paul David Hager

Paul David Hager FOH / Studio Mix Engineer

Miley Cyrus, Goo Goo Dolls, Jonas Brothers

“I’ve been using the H-Comp on my drum subs and setting the release by the tempo. The Mix knob makes it easy to add the non-compressed signal back in without dealing with latency.”


Ross Hogarth

Ross Hogarth Producer / Engineer

Van Halen, REM, Ziggy Marley, Keb’ Mo’ 

“H-Reverb can do just about anything, from weird lo-fi effects, to smooth small rooms, to long open spaces. H-EQ is extremely versatile: you can use it for surgical EQ when a very precise boost or cut is needed. And with H-Comp, I can make my drums thick and punchy by using the Punch knob to control transients and timing the release based on the tempo. I also use H-Comp as a parallel compressor on my drums or bass to make them pump musically.”


Tony Maserati

Tony Maserati Producer / Mixing Engineer

Beyoncé, Selena Gomez, Robin Thicke, Nick Jonas

“H-Reverb has a great reverb sound, with useful and modern controls, amazing ancillary effects, and flexible sonic manipulation options that give me the sonic landscape needed in today’s music. This amazing effect lets me get sounds that I would otherwise need three or more plugins in order to get.”


Greg Wells

Greg Wells Producer / Mixer / Songwriter

Adele, Katy Perry, OneRepublic, Mika 

“One of the things H-Reverb really nails is the reverb tail. It has this beautiful, dense, natural-sounding finish to it, just like true soundwaves bouncing off the right kind of room. H-Reverb also has the best gated snare reverb sound I’ve ever heard in a preset—and you can use on lots of things other than snare.”


Greg Price

Greg Price FOH Engineer

Ozzy Osbourne 

“H-Delay is incredible. I use it in a lot of ways, from reggae-influenced dub to thick slaps and epic straight delays. On vocals in songs that are wordier I use a really short delay, more like a doubler. You can get really creative with it!”


Pete Keppler

Pete Keppler FOH Engineer

David Bowie, Katy Perry, Nine Inch Nails 

“H-Reverb is the best software reverb I’ve laid ears on. Open it up, and you get a great sound without touching a single control. If you want to tailor it a little, the main controls plus ER and Reverb Time will give you practically anything you need. And you also get a Reverse button! The pre- and post-echo features and the dynamics and envelope/LFO sections give you that extra level of creativity and other-worldly sounds”

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